Brooks’ simple gray palette
amplifies the masculine
in feminine sexual identities

–intriguingly ambiguous.

Stettheimer’s faux-naif style
portrays high bohemian women
with aggressive qualities

–as feminine confections.

Individualized interpretations —
different types of representations
–each a unique female gaze.

. . . . .

Poet: Susan Powers Bourne
Source: The Feminine Gaze
Process: Pick-mix erasure